When I travel, I prefer to take photos of people I randomly encounter, rather than of sites I visit. To be sure, I have photographed my share of monuments and parks and churches and bridges, and I imagine I always will, but the reality is that they serve mostly to remind me that I have visited a place, jarring something in my memory about a particular time in my life whenever I go back and review them.
The truth is that my photos of architectural and geographical graces of any particular city can’t begin to compare with those taken by the many skilled landscape and architectural photographers whose work I admire.
So I opt instead for wandering places I visit hoping that if I come upon something interesting my reflexes will be quick enough to capture the moment with a respectable degree of positive energy.
It’s the difference between going into a dance studio and improvising for an hour, as opposed to practicing a piece of choreography until it’s perfect. Between planning a gourmet menu for friends, and scratch cooking on a Sunday evening and inviting people in for an impromptu dinner.
The difference between setting up a camera and waiting for the light, the weather, the shadows and sounds to cooperate magically, and taking a picture without planning it, knowing full well I might end up with…nothing.
Such was the day in Siena, Italy many years ago, when I wandered past the always crowded Piazza del Campo and up Via di Città to explore the outskirts of the city, and saw two young women sitting on the steps to the backdoor of the restaurant they worked in, laughing and chatting with such enthusiasm and affection that I had to ask if I could take their picture.
I remember not wanting to interrupt them, and wondering if I should just take the brazen chance of photographing them without asking permission. But I knew it would change the moment, that they would cease being themselves in some way. The street was so crowded with people and I would have to stand very close to them in order to get a clear photograph.
But they were so beautiful, so alive and vibrant that I thought ‘Well, maybe they will like having their picture taken…’ and I asked them and in that instant of their agreement, I got lucky.
I most love the contrast between these two young women, one with her tennis shoes and simplicity, her friend bejeweled with chandelier earrings, perfectly outlined lips, manicured fingers, and painted toes peaking through lacy black mules.
The way they huddled so close, their bodies touching, one smiling openly, the other more sedate, one whose body was more contained, the other whose physicality was more outstretched, the gentleness of their hand, their bright faces beckoning, the ease of them…’Yes, please, take our picture.’
The ancient city of Siena will always be there, and should I return again, I will wander past the steps of that restaurant and all I will have is my photograph.
These young women don’t remember me.
But I will always remember them…and wonder where they are now, what they are doing, and if they are as happy as they seemed to me on that day so long ago during my Summer in Siena.
#Siena
November 27, 2016 at 5:51 pm
People make photography come alive, but it’s trickier. For starters, getting personal means making personal connections with those folks on the other side of the lens. That can be difficult and often awkward, but always rewarding.
November 27, 2016 at 5:55 pm
It is tricky isn’t it Eduardo Suastegui? It’s that space between voyeurism and intentional interaction. There’s a split second when you have to decide…move in, or stay away. Trusting instincts, sniffing the air for signs of permission…and also deciding whether it is better to stay away. Yes, awkward, tricky, sometimes disappointing and when not…very rewarding.
November 29, 2016 at 2:07 pm
good way of collecting memories for ….
January 25, 2017 at 12:18 pm
Wow