“I have never found a companion that was so companionable as solitude.”
― Henry David Thoreau, Walden
I create in complete solitude. It is my way. It is authentic for me. It is how I play and remain in intimate touch with myself. Solitude is artistic, sensual, indulgent, intellectual, soothing and energizing at the same time, allowing me to go out into the world with more of myself than would be possible were I not to insist on ample alone time.
When I design in quiet, there is nothing to disturb the birth of an idea. No one to casually enter the room and ask what I’m doing. No intrusion from anyone’s else’s energy field or mood. No one else’s opinion, voice, vision or ideas with which to compete. No other artistic stimulus threatening to displace whatever impossible notions might rise up from the bottom of my creative well, no matter how low the water level might be at any given time due, perhaps, to a prolonged drought.
No contrary voice telling me it won’t be possible, for instance, to pull a mold off a gold Lemon Peel ring with jagged edges and a moon-cratered surface. No, stubbornly, I stick with my original instinct, ignoring the suggestions of those who carefully, dutifully, protectively, and perhaps even wisely, warn me of my impending folly – it will be too expensive, the edges too fragile, too difficult to finish and polish, its allover design will make it impossible to size, these concerned voices say. When I am alone, there are no nagging voices to whisper in my ear, “You silly woman, make it thinner and it will be less expensive, make it narrower and it will fit more people, do this, do that, change this, change that…“
Ah, Yes, solitude. There is no other way for me to create. Nor to write. I have been this way since I was a child. I talk out loud to myself, and when I do it alone I am never self-conscious, for it is perfectly normal and utterly sane to me. When I do it in the company of people who do not know me, I catch the look on their faces as my lips turn a phrase over and over out loud. I need to hear the words, their syllables and consonants, the way they fit together, the way they look splattered against the air.
I need to know that were my words whispered by spirits in the woods they would sound the same as I hear them in my head.
And I need to know a lemon would feel honored by my creative notion of it, which could never happen were I not to make my way toward it…in complete solitude.
January 3, 2013 at 2:28 pm
Beautiful ring!
January 3, 2013 at 2:28 pm
lovely..
January 3, 2013 at 2:29 pm
Love!
January 3, 2013 at 2:33 pm
Thank you Brian Fields and salena gomez and Anita Law. I hereby declare I have a right to wish everyone Happy New Year until I don’t want to anymore! So…Happy New Year! And may it be a creative one…
January 3, 2013 at 2:33 pm
This is beautiful and your description of its birth adds to its allure for me. Totally in awe of both.
January 3, 2013 at 2:37 pm
And
HappyCreative New Year to you Giselle MinoliJanuary 3, 2013 at 2:45 pm
I love it and would wear it! How much?
January 3, 2013 at 3:04 pm
Hello Ardith Goodwin. Thank you for your sweet words. I remember years ago when the first Harry Potter book came out and JK Rowling talked about writing in a coffee shop, I believe. I know this is true for a lot of creative people…I am envious of doodlers, enormously envious of doodlers…and at certain times I can write at a cozy coffee shop, but mostly not. It really is different for each of us. Is it in our DNA, or is it learned behavior? For me I think it was a noisy childhood and not having (much to Virginia Woolf’s dismay) A Room of One’s Own.
January 3, 2013 at 3:07 pm
Nora Qudus that is very kind of you…oh woe is me, but the price on my website (http://www.giselleminoli.com/jewelry/gold09.html) has not been updated to accommodate this crazy insane gold market so to tell you the absolute truth…I have no idea. My rings are solid gold, not air-filled, so there is heft to them. This one is lighter…
January 3, 2013 at 3:09 pm
dear Giselle Minoli, may you always have the solitude you want and need, it produces such wonderful things – I love both the ring and your story about it.
January 3, 2013 at 3:11 pm
Giselle Minoli I have always had very good taste!
January 3, 2013 at 3:15 pm
Ah…so kind Nora Qudus. This post was inspired by a conversation on another thread last night about Meyer Lemons and how delicious they are. I was thinking about that and a regular lemon and a Meyer Lemon were sitting side-by-side in my fruit bowl as I was making coffee this morning and I thought, “The Meyer’s flavor is more delicious but it’s skin is so smooth it is almost completely uninteresting. The regular lemon’s peel has so much texture.” And then I remembered going to the store and selecting about a dozen lemons and peeling them each and looking for just the right one with just the right texture from which to make a wax. Crazy, huh?
January 3, 2013 at 3:16 pm
not crazy, Giselle Minoli – cool serendipity!
January 3, 2013 at 3:18 pm
That is an awesome ring, and your writing is inspiring too.
My original wedding ring was a ‘nugget’ that was 8mm wide (all the way around) and it was ‘solid’ (ie no hollow underneath)… sadly that was lost on a construction site…
The replacement was a simple Sterling ‘hearts and dots’ band…
January 3, 2013 at 3:23 pm
Hi, Randal Lovelace thank you so much. Arrrgggghhh wedding rings…my husband didn’t want me to make ours (not because he doesn’t like my jewelry, but because I’m a slow designer) and therefore we bought commercial rings. I love my wedding band. It is thin and simple. I never thought anything I hadn’t made would have such meaning to me. I never wear it at home. I just like my hands bare when I’m working. But I put it on whenever I leave the house and feel completely naked without it. You must have dug up the construction site (if such a thing is possible) when you lost yours. Someone found it, and perhaps they needed it. I feel that way about losing and finding things.
January 3, 2013 at 3:26 pm
Hi Giselle Minoli My husband and I also have thin, simple rings – partly because that’s what the Jewish ceremony calls for. My daughter, who has my great-grandmother’s engagement ring (her fiance asked us for it, and I had already signaled it was fine with me) said she’s like to use my grandmother’s simple wedding band. I said that it was fine. It was hers for as long as she lives.
January 3, 2013 at 3:28 pm
Linda Bernstein Hello hello hello! I love that story. There is something about passing that particular pieces of jewelry down through the women. I have my mother’s wedding ring, my sister has the engagement ring. I think it cost $300 dollars in 1948. In platinum, which was a lot of money back then. But the ring is utterly simply and so tiny it is a pinky ring!
When is your daughter’s wedding? So nice to hear from you and HNY!
January 3, 2013 at 3:31 pm
Her wedding is in September, and I am busily trying to make arrangements!
January 3, 2013 at 3:35 pm
You made that ring in one morning? Wow… It is so gorgeous.
January 3, 2013 at 3:36 pm
No! Cindy Brown I made it several years ago. I was just reminded of it this morning…and the process of creating it…and everything else, basically…
January 3, 2013 at 3:38 pm
Giselle Minoli it wasn’t found… we looked for nearly 8 hours, right up till the concrete pour… my ring is now under the newest part of the Orange County (Fl) Convention Center.
January 3, 2013 at 3:47 pm
Giselle Minoli not crazy at all. I do found art projects. I look at jars and everything really to see how I can create something from it. I buy products for the container as well as the content! When I have smooth time( what I call some dedicated time to work) I love to do my art.
January 3, 2013 at 3:55 pm
Happy New year, new January and new creativity.
Like the ring and all for the “never say die” to nay sayers. How do they know it is “not going to work” ? And, even if it doesn’t, so what, you had the experince of trying and learning that for yourself.
As far as creative solitude, I am the opposite. I cannot create in solitude as that itself becomes distracting as I hear every tiny involuntary sound.
Having background noise seems to act like silence in that it creates a threshold, below which, I don’t “hear” anything. The act of ignoring it, just seem to focus me in on whatever it is I’m doing, because there is no background variation.
January 3, 2013 at 3:59 pm
Giselle Minoli I tend to seek the bustle for poems. I love going to whatever watering hole people are congregating (Starbucks, restaurant, pub) and sit in a corner with a drink and just scribble. For me I let these faces, voices, sounds be like the fumes to the delphic oracles. It really does help. But that is the first, rough ROUGH draft. Then you gotta let it sit, like home-made bread. Only later, in a quiet place, can I actually begin to edit – which for me is a process of revelation – layer upon layer removed slowly. It is a dance, and a seduction, to get a poem to undress herself. But a fun one.
January 3, 2013 at 4:00 pm
I do my 3d work listening to heavy metal music… but when I go to do the textures in 2d – I shut off the music and work in silence…
January 3, 2013 at 4:01 pm
Solitude doesn’t necessarily mean silence or an absence of people…
January 3, 2013 at 4:10 pm
I do prefer to do my 3d/2d work alone, but doing computer repair/installs/audio-video installs, I can do it in a crowded room or with no-one around doesn’t matter….
January 3, 2013 at 4:21 pm
What Matthew Graybosch said.
January 3, 2013 at 4:26 pm
Then you and JK Rowling would have much to talk about dawn ahukanna. I completely understand. I don’t, however, create in silence as an actor, dancer or director. I’m not an introvert T. Pascal though some might want to believe that. I rather think of any individual creative being as needing a “diet” of sorts. Like human bodies need protein, vegetables, grains, fatty acids, minerals, etc. I need time alone, time with others, time to work, time to play, time to sleep, time to be physically vigorous. My husband, on the other hand…I would say he’s much more introverted. Although he can write in public! Go figure.
What with all the gesticulating going on T. Pascal you must have been Italian in your past life!
January 3, 2013 at 4:30 pm
So well expressed Leo Campos. Perhaps my favorite thing to listen to in public, in terms of writing, is poetry in the spaces of bars, wine bars, coffee houses, joints on the lower East Side of NY. Poetry crowds can be quite rowdy IMO. Randal Lovelace do you know Matthew Graybosch? He’s got his own music and writing groove going on in a pretty serious way. And, yeah, when I’m doing things with machinery/tools…I usually listen to music. But for creative processes no. Matthew, you nailed it for me. Nailed it.
January 3, 2013 at 4:30 pm
I too “air sculpt”. Don’t think it is exclusively Italian, :-).
January 3, 2013 at 4:31 pm
oooh dawn ahukanna “air sculpting” – must use it! Though most times I am more “air freestylin'” but hey….
January 3, 2013 at 4:34 pm
No, Cindy Brown you are right. The wind is not silence. Birds and nature are not silent. But for me there can’t be the human voice, or the sound of a television. Wind is awesome. Rain equally so. You know…laugh tracks drive me crazy for exactly this reason. It’s like they are telling me what to feel, when to feel it, how much of it to feel. I hate laugh tracks. Can I create in a room with other people? Well, I feel I bother them when I start to talk out loud! So for that reason I prefer to be by myself.
I love reading everyone’s words about how the create/work. It’s interesting to me. My husband and I are totally different in this way. Not all of the time, but some of the time. I think I’m probably hard to live with…as a creative person.
January 3, 2013 at 4:36 pm
I love how different people find solitude in different ways — was not saying yours was “not” solitude, but was acknowledging how working in the middle of a coffee shop can also be solitude.
I don’t care about noise, obviously. For me, light, movement, etc are all factors.
January 3, 2013 at 4:37 pm
Leo Campos, scuplting, freestyling (like it) is all about expressing in 3D with all five senses, regardless.
January 3, 2013 at 4:38 pm
Giselle Minoli I would hope you are difficult to live with! That means you are passionate…reminded me of this poem: http://www.arabesques-editions.com/journal/jane_williams/06109404.html
January 3, 2013 at 4:40 pm
Nice ring
January 3, 2013 at 4:59 pm
Beautiful ring, Giselle Minoli and I totally understand the need for solitude. Just lovely writing to begin my day with ;).
January 3, 2013 at 5:00 pm
Giselle Minoli have you ever used Rhino, the CAD designer software? I’ve only worked with handformed wax and construction before. I’ve got a bunch of faceted gemstones and one of these days I am going to get Rhino to design some settings for these things.That’s as soon as I finish the projects I have already started.
January 3, 2013 at 5:05 pm
Giselle Minoli, well put. Solitude is essential for many of us to create. I have a hard time finding it with kids at home and leadership at work, but it’s very productive when I can get it.
January 3, 2013 at 6:11 pm
Lisa Borel you may want to look at Blender 3d, it’s free open source and runs on Windows and Linux.
January 3, 2013 at 6:22 pm
Happy New Year Walter H Groth and thank you!
I’m envious of you Cindy Brown I have one of those sensory systems that is uber sensitive to absolutely everything. I can hear someone snoring on the other side of town. I can see things from very far away. I smell things that no one else smells. Weirdly, while I am sensitive to physical sensations of the subtle kind, I have a very high threshold for pain, which is not good in many ways in that a physical ailment can go undetected. I love, love, love the sun, but my eyes are extremely sensitive to light, which is normal for blue-eyed people I suppose. My “sound” thing comes from this, which is that the world is a very loud place for me to live in and so I look for every opportunity for quiet. All my life I have felt as though I am imposing on other people when I saw something is “loud.” So the only place I don’t have to feel bad is when I’m alone and it’s quiet. An inner need to be sure. I think life would be more harmonious with others if I had your skill. Alas, I don’t…
January 3, 2013 at 6:26 pm
God I love that poem Leo Campos and it was a gift to me this day. Thank you. Yes, this is what I think, because I do not walk ten feet behind. And the word ‘defer’ seems not to be in my dictionary.
Alright then, Leo, let’s change that from “difficult to live with” to “impossible to live with!” How many more points do I get for that? Another glass of Prosecco? An extra day at the beach? I’ll take it.
Bless you, my friend…
January 3, 2013 at 6:31 pm
I’m quite light and motion sensitive myself, in compensation I suppose. I do admit it’s extremely useful to be able to turn off my hearing aids from time to time.
January 3, 2013 at 6:32 pm
It’s interesting T. Pascal because I struggle with it creatively and in my non creative life. Does anyone else here? I mean I need time to create, but then I need intimate connection too. Finding a balance in this world is a challenge, as Christopher Lamke points out, what with children (do they know the meaning of quiet/solitude/silence, except when they’re sleeping) and work surely. Sometimes I like to play a game: if I had to choose which of these two, meat or wine, which would it be? (Wine) If I had to choose between silence and music, which would it be? (Silence). If I had to choose between a city and the country, which would it be? (????) If I had to choose between being alone, and being with others, which would it be? (????) If I had to choose being continuing to fly and being able to drive, which would it be? (Flying….)
Some of them are impossible to answer. And they shift with where I am in my life.
(Why can’t I learn to type, putting only one space between sentences?)
January 3, 2013 at 6:34 pm
Lisa Borel I have never used a design program but know people who do. Do you have any inkling to try it yourself the old fashioned way? You can get people to make the models for you. It is most satisfying, a huge challenge and very freeing…I find.
January 3, 2013 at 6:37 pm
This seems off-topic somehow, even though it goes back to your original post, but I have a ring a bit like that. It’s rectangular, rather than free form (it started life as a cufflink), and has a few black star sapphires nestled in the nooks and crannies. I think I’ll go put it on in your honor.
And later, I’ll raise a glass of prosecco.
January 3, 2013 at 6:40 pm
Most excellent idea Jodi Kaplan. ‘Twould seem then that I posted this to raise you…and succeeded! I love it when that happens.
January 3, 2013 at 6:42 pm
I believe I did say I do it the old fashioned way Giselle Minoli . I have done wax carvings, lost wax such as you did here, construction. Heck, I have even done a Zuni technique. The design is an outline of me and my boyfriend to scale.
https://plus.google.com/111522003007603813028/posts/UEULXuGRhJi
I did some enamel, but that is so hard. When the metal is curved like that, very challenging to get the enamel to stay on.
January 3, 2013 at 6:44 pm
Apologies for misunderstanding Lisa Borel…is there something wrong with me for not wanting to try a design program? I’m such an old-fashioned person in these ways. I have a superautomatic espresso machine for my husband. I prefer the kind you have to pull yourself. And I don’t even have a Cuisinart. And I drive a stick shift!
January 3, 2013 at 6:45 pm
I don’t have a Cuisinart either Giselle Minoli . I also drive a stick. A Saab, no less! LOL
January 3, 2013 at 6:46 pm
Oh, my, small world. We sold our Saab last year. We were afraid we would no longer be able to get it repaired. Great car!
January 3, 2013 at 6:52 pm
Even extroverts need time of reflection and my experience is that all these scales we have to measure ourselves are only averages, not absolute.
I believe it’s all about balance and equilibrium. Or to use Matthew Graybosch point, “state of flow”.
January 3, 2013 at 6:52 pm
I don’t have a Cuisinart – the chopping and slicing is part of truly creating in the kitchen (see my page to understand how we cook in my home)… and I drive a stick – 99 Nissan Maxima 3.0L/5 speed.
Lot’s in common here…. interesting…
January 3, 2013 at 6:54 pm
I love my Saab. I’m looking around for a replacement. but nothing comes close to the performance and comfort with out being ridiculously over the top. My car was an incredible value.
And we try new things each in our own time. We all have our unique path to travel. That is what makes life special. Giselle Minoli 🙂
January 3, 2013 at 6:58 pm
I have a mini-chopper, and haven’t driven in years.
Did learn to drive on a stick though (dad’s Lancia).
January 3, 2013 at 7:02 pm
Most UK and european drivers are manual gear or “stick-shift” car drivers. Prefer mid-engine roadster.
January 3, 2013 at 7:36 pm
Okay see now you’re torturing me dawn ahukanna as only you can. I wonder if any comparisons could be made between quality of, for instance, jewelry design done the old-fashioned way and jewelry design done on a designer program. Isn’t that a rotten question Lisa Borel? I remember arguments among graphic designers in the beginning of computer days when Type Faces became Fonts and the purists were saying everything online was ugly. In the flying world many new pilots are besotted with Cirrus planes, which are made of a composite. Many of the “purists” wouldn’t buy anything but a metal plane. I can speak for what my experience is of cappuccino, however…a hand-pulled one is superior to my super-automatic, that is for sure!
January 3, 2013 at 7:46 pm
But this is why computers are brilliant dawn ahukanna. Because I have no basal thumb joint in my right hand I cannot hold a carton of milk or a book, let alone use a jeweler’s drill for any period of time. Holding a pen between my thumb and forefinger is sheer agony. I have learned to “translate” what I “see” in my head as words into words on my keyboard.
I do not think I have that skill as a designer. But now that Lisa Borel has asked the question and I’ve made this post…I fear I have to try. Thanks a lot guys for giving me one more thing to learn!
January 3, 2013 at 7:49 pm
Or Giselle Minoli, just disrupt that space and come up with a new approach, that allows for your limits using new tools.
January 3, 2013 at 7:58 pm
Giselle Minoli if you choose to use Blender – I’m always keen to help.
January 3, 2013 at 9:46 pm
Giselle Minoli I like the complexity yet simplicity of your jewelry work. The natural motifs keep a feel of randomness within the confines of a geometric circle. To wear such a ring, must make one feel an exquisite connection to the tamed strength of the metal and the delicacy of the skin of a fruit. Understated golden radiance.
I especially like the striated vine in platinum. If I were a rich man . . .
January 3, 2013 at 9:47 pm
Matthew Graybosch You may be looking for Mihaly Csikszentmihalyi.
January 3, 2013 at 10:56 pm
Matthew Graybosch I always forget how it is spelled and autocomplete would never have helped me out. Had to go to the bookshelf for this one. And then had to go back and bring the book to the computer to actually spell it out!
January 3, 2013 at 10:58 pm
Bill Abrams, rockin’ it old skool!
January 3, 2013 at 11:16 pm
You people who are brilliant with computers! I have a shut off valve that is automatically activated in my brain to prevent me from spending ALL my time on this thing!
Bill Abrams I could not have paid the most gracious jewelry critic to have written those lines for me. Would that I were still doing a production line…I would ask to use it as a testimonial.
Practiced imperfection. This is what I have always strived for. I’m not a pruned hedge sort of woman…you know…matching handbag and shoes and all that.
Years ago at the Gliderport in Julian, PA I met a man whose profession (for real) was to negotiate the international shipping containers for fruit….bananas, apples, pears, oranges….so that everything is the same in stores. I thought “Duh…” They grow fruit to fit the containers. How sad for fruit! No freedom if you are a banana.
But when it comes to making a piece of jewelry, like a poem or a novel or a painting or a film…a production line that required sameness was a real challenge for me.
January 3, 2013 at 11:22 pm
Lisa Borel thank you for pointing me to your post about your jewelry. Yes what a huge pain and expense and the mess from silver is a nightmare. Honestly that is the reason I switched to gold. I was sick of being covered in blackened polishing compound.
I do things by commission now and for myself and I made my husband a ring for his birthday which he never takes off. That made me really happy. Sometimes I think about collaborating with someone to do a necklace for charity…but that idea is stuck inside my head!
I don’t know…I think you should go back to it….
January 3, 2013 at 11:23 pm
I visited your website early on and I’ve just been waiting for the opportunity to say how much I like your style. Thanks for providing it. And appreciating the compliment.
January 3, 2013 at 11:25 pm
One of a kind jewelry has always had more appeal to me (can’t afford it mind you) but knowing that it is unique, nobody has one like it, that’s something I like.
This silver band I wear was made for me – by a small local jeweler – and it’s unique, I know it wasn’t expensive (as I know the guy and his prices), but it’s the only one like it.
January 3, 2013 at 11:47 pm
I wasn’t sure if you wanted the original or one of it’s progeny. Before Flow, I was taken by The Sweet Spot in Time by John Jerome, which described “that magical moment when the ball flies off the bat and soars over the outfield fence, when the putt rolls unerringly to the cup, when the overhead smash nips the baseline corner.”
January 4, 2013 at 12:01 am
Giselle Minoli Several years ago a dear friend introduced me to her”beading” group. Let me tell you I never, ever thought I would have enjoyed this as I am a very black or white person and art just was not in my life. Well, my friends tell me I am really good at this. LOL> I seem to have a knack for it and really enjoy it. I meet with the ladies once a week at one of our homes and sometimes construction will be accomplished but mostly a lot of socializing happens- but I find I do my best work at home and alone. I totally lose myself in it when I am working on a project but I don’t sell any of my pieces but rather I gift them to friends for unexpected surprises. The ring is beautiful. Did you craft it yourself? We have the Houston Gem & Mineral Society here that as a member we have full access to the workrooms and all of the equipment for a huge $2.00 per hour. They offer classes and I am hoping to take the fabrication class the next time it is offered.
January 4, 2013 at 12:15 am
I don’t want to get too far away from a post on solitude and creativity, but the following mentions the word “dancer,” and GM is a sucker for that topic. 🙂
Jerome’s book is about biomechanics and improving sports performance and he talks about things like edges and grooves. Here’s a paragraph from the introduction:
Finishing the move is a startlingly important aspect of performing, although I have been unable to find a clear explanation of why it is so critical. In skiing, for example, if you don’t finish one turn–carrying it out to its logical conclusion, metaphorically putting a stamp of completion on it–you will be in terrible shape to launch the next turn. The quickest indication of an unskilled dancer, gymnast diver, figure skater, is the hurried move, which, surprisingly doesn’t come from starting the move too soon but from neglecting to finish the move that preceded it, cutting off short of the sweet spot in time. It is a paradox: taking time to finish one move somehow gives you more time to get the next one started right. (finishing the move probably restores the neruomuscular machinery to equilibrium, and thus gives you a new starting place.) Just as a wide receiver must, as they say, “put the ball away” before he starts to run with it, so must any performer put away the movement at hand before starting the next. There will be time. Finishing the move makes time. (Mikhail Baryshnikov has time. So does Julius Irving.)
Flow, being in the sweet spot, these are states of being that I crave and then embrace when they occur.
January 4, 2013 at 3:01 am
I can so relate to Jerome’s words Bill Abrams. There are many different expressions of this in the artistic/creative words. In the theatre it is often said “The beginning is everything, if you don’t get the beginning right, everything after that goes wrong.” So too in dancing.
I never understood any of this when I started dancing. I was so busy learning the steps and I was so eager to “dance,” as all young girls are. The fantasy of seeing yourself “dancing” overtakes you.
I left it for many, many, many years and when I came back to it I understood it. I couldn’t do what I did when I was younger, I lacked the speed, and so I didn’t/couldn’t hurry through everything. I slowed down and learned to start things and finish things. And I remembered being taught to sew when I was a girl and my mother would focus on the inside of the garment, telling me that if it wasn’t right the outside would look horrible.
Brian Altman jumped horses and he talks about gathering the horse beneath the rider to execute the jump. I think human energy is like that and when I think of finishing a step its more about that…completion allows for a gathering of energy, which leads into the next step.
I so wish I had understood it all when I was six! Later is better than never? I never heard the phrase “the sweet spot” until Brian taught me to play golf. It is such a great phrase…and applies to so many things.
January 4, 2013 at 3:08 am
Well said. The part about sewing reminds me of the many hems I’ve repaired by hand with blind stitches never really looking at the outside until finished. Brian Altman might enjoy the Jerome book. I believe the the author updated it after my edition, so some of the science will be more accurate.
January 4, 2013 at 3:31 am
We are going on the first vacation we’ve taken in 2 1/2 years on Saturday, Bill Abrams.To a place there will be ample time to contemplate beginnings and endings and everything in between. It will have something to do with water. And tides. And moons. And push/pull. And ebb/flow. You know…like that.
January 4, 2013 at 3:48 am
I know exactly how you feel Matthew Graybosch. I said the same thing to my husband…and that, basically, I wasn’t going to go through another year without one. So we’re leaving the real world and going into one of nature for ten days. The Pacific Coast nature preserve. Very simple. Off season. Few people. Can’t wait.
January 4, 2013 at 3:51 am
Sounds like a sweet spot in time for you both.
January 4, 2013 at 4:19 am
Listen to Catherine Matthew Graybosch. This will be the first time I’ve ever been away at the beginning of the year Bill Abrams. It seem appropriate all of a sudden, in light of this post and the comments that led to beginning and finishing a step or a movement. I aim to have next week be the breath that carries the energy of the year on its exhale…
January 4, 2013 at 8:37 am
Bbeautiful ring
January 4, 2013 at 1:13 pm
i have always done my most creative workand my most satisfying, be it sculpture, or lighting design, or words on a page, in solitude – though i do admit once i have the ideas in my head for my lighting designs to the place i want them to be i do my best rough sketches on a bar napkin in a somewhat rowdy bar before returning home to put them down in final form in the solitude of my home.
January 4, 2013 at 1:46 pm
Interesting, Bill Abrams, as I’ve seen a lot of baseball pitchers get in trouble when they do exactly that — try to rush the pitch and not finish throwing properly.
(whoever said Giselle’s posts are like a long-running, extremely interesting dinner party was right).
January 5, 2013 at 11:39 am
Hi stuart richman did I know you were a doodler? Bar napkins no less. There’s such personal poetry and artistic folklore to that…I am so jealous of people who can do that.
Sitting on the tarmac in a plane with a left engine that won’t start. Bummer way to start a vacation! It’s always somethin’ as Rosanne Rosannadanna would say.
January 5, 2013 at 11:43 am
Yeah, well thanks Jodi Kaplan, you know I love to cook. A girl has to do something to get people to hang out with her!
Eggplant Parmesan. Lasagne Bolognese. Chicken Cacciatore. Who’s hungry? You are all invited!
January 5, 2013 at 11:57 am
Good morning +Giselle Minoli I never thought of my self as a doodler as to
me that implies more drawing talent then I think I have. My comment with
respect to the bar napkin was more about putting on paper a combination of
personal shorthand notations with minimilistic sketches of design ideas to
remind myself of what I am trying to accomplish – I suppose that could be
called doodling – the problem is the bar napkin invariably came with
alcohol and by the time I get home I don’t always remember what the
doodles, if that’s what they are, were supposed to mean LOL
(sent from my phone way to early in the morning before coffee so it may not
make sense)
January 5, 2013 at 12:16 pm
Part of early morning without coffee and alcohol inspired bar doodles is that whatever issues from it might not be understandable to others stuart richman! Ah the poetry of it.
Query: when an airline knows a flight is bust why can’t they just fess up right away so people cam make other plans? Grrrrrrrr..,,
January 5, 2013 at 12:37 pm
Sounds yummy to me. Now, which state do I head to?
January 5, 2013 at 12:51 pm
Giselle Minoli, It’s called “customers can’t handle the truth!”.
I wish most companies and “brands” would treat people like adults, instead of brats.
I’d have more respect and still take my custom to a company that demonstrated that:
1. the issue was out of the norm and not just incompetence
2. keep me informed so that I can make informed decision
3. assist me with alternatives.
But you can’t do that if everything is driven by lowest price whatever.
January 5, 2013 at 1:13 pm
LOL Jodi Kaplan, actually I carry around a caserole with something in it wherever I go. Remember Paul Young’s Wherever I Hang My Hat That’s My Home? Well, with me it’s wherever I cook… that’s my home…
January 5, 2013 at 1:15 pm
We’re off the plane and rerouted but got lucky because we were first in line!
January 5, 2013 at 1:46 pm
Psst Matthew Graybosch, we are trying to get Giselle Minoli to throw mega Itallian cookfest dinner party LOL
January 5, 2013 at 2:04 pm
I am always amazed how the 3 or 4 inch square bar napkin can be transformed into a 4 foot by 3 foot lighting “blueprint” yet it won’t work the other way round which would be nice as bev naps fit in a scrapbook easier then light plots do. Am also always amazed that my design assistants understood the bar nap scribbles even if I forgot what u meant them to be. As for airlines, having held a pilots licence and having done corporate lighting for American Airlines, I gave up long ago trying to understand why passengers are treated the way they are. And mea culpa for not having said earlier how lovely the ring is. And I still haven’t found my coffee yet.
January 5, 2013 at 10:38 pm
I’m game dawn ahukanna. But Where and When, those are the questions!
January 5, 2013 at 10:47 pm
Hi Giselle Minoli is your flight to R&R done? Where and when TBA with everyone else.
January 5, 2013 at 10:49 pm
I’m at 36,000 ft. flying to San Francisco and on GoInFlight. Tough to configure on a Mac, but I’m stubborn and refused to give up. So it’s giving me some time to catch up here. I have my Bose headphones on and I’m happy as a clam dawn ahukanna, reading a rather unbelievable story about forgiveness, which is food for thought for my Sunday morning post, thank you very much…
January 5, 2013 at 10:58 pm
I’m at 36000 ft and this is not being a techie Giselle Minoli? Well safe travels to you and Brian Altman and enjoy your trip.
January 5, 2013 at 11:05 pm
dawn ahukanna I am most certainly not a techie. I’m a committed conversationalist/writer, who is more than a little bit addicted to my G+Tribe. I will slog over the Himalayas in sandals if I have to. You could probably have figured it out in half the time it took me to connect. I have no doubt about that.